Malèna is a 2000 romantic comedy-drama film directed and written by Giuseppe Tornatore from a story by Luciano Vincenzoni. Marlina si Pembunuh dalam Empat Babak – 2017. Written by Surya and Rama Adi, and based on a story by veteran director Garin Nugroho, Marlina the Murderer is essentially a revenge drama in four chapters—named, in English intertitles, “The Robbery,” “The Journey,” “The Confession,” and “The Birth.” Marlina (Indonesian star Marsha Timothy) is at home on her farm one day, her mummified dead husband propped up crouching on the floor—there have been problems with the funeral payments—when a bandit named Markus (Egi Fedly) turns up and tells her that he and his several associates, who are on their way, intend to take her money and her livestock and sleep with her. Atau Marlina dtampilkan sebagai sosok lone wolf yang pendiam, tapi sekelilingnya penuh … Diperankan oleh Marsha Timothy, Marlina berhasil membuat penonton terkesima dengan alur cerita, karakter sekaligus setting yang tergambarkan pada film. As for Marsha Timothy, the film could hardly go further in making her an iconic figure. . certainly aims to provide fun, along with gender provocation of a serious kind. [3][4] The song "Lazuardi" from the soundtrack is composed and performed by Jakarta indie rock band Efek Rumah Kaca. Amidst the war climate, a teenage boy discovering himself becomes love-stricken by Malèna, a sensual woman living in a small, narrow-minded Italian town. Surya also goes for long takes and super-measured pacing: the final act is a case of slow-burn cinema taken to a cool extreme. Tujuan penelitian ini adalah mendeskripsikan bentuk-bentuk Film ini sangat minim suara dan musik yang dramatis namun kekuatan ceritanya mampu menghadirkan suasana mencekam hingga akhir cerita. Cerita film ini dibuat berdasarkan ide dari Garin Nugroho yang baru saja… The other is unflappable matron Yohana (Rita Matu Mona), on her way to a family wedding with two horses in tow for dowry; she promptly takes control of the situation, suggesting that maybe Marlina doesn’t really need to keep her machete to the bus driver’s neck (“Isn’t your arm tired, dear?”). Porzio talks why the film, desrcibed as 'the love child of the Coen bros and Sergio Leone', is … On review aggregator website Rotten Tomatoes, the film holds an approval rating of 98% based on 42 reviews, and an average rating of 7.81/10. A group of seven men, led by the aged Markus, arrive at her house intent on robbing Marlina of her livestock and raping her. Film garapan sutradara Mouly Surya ini dikemas secara padat dengan mengolaborasikan indahnya alam Sumba, sinematografi yang epik, serta akting pemain yang dipenuhi emosi. Surya also goes for long takes and super-measured pacing: the final act … Surya tends to keep the violence at a distance from the camera, however, or frame it with distancing formality: Markus’s beheading is done with brisk elegance, in one of those symmetrical shots that are the film’s signature. In the third act, The Confession, she arrives at the local police station and delivers a report of the robbery, rape, and her self-defense. Mouly Surya’s third film, Marlina the Murderer in Four Acts, is a truly poetic reflection of grief and resistance against the patriarchy.The film tells the story of Marlina, a woman living alone after losing those she loves. Now, church bells are not something you automatically associate with an Indonesian setting—nor are characters with names like Markus, Robert, Franz, and Ian. Written by Surya and Rama Adi, and based on a story by veteran director Garin Nugroho, The rape-revenge drama might lay claim to being the popular feminist genre. Bagaimana pun, film Marlina ini mungkin lebih cocok disamakan dengan film-film samurai dari Jepang dibanding film-film Quentin Tarantino. Marlina: The Murderer in Four Acts (Marlina si Pembunuh dalam Empat Babak) adalah film cerita seru Indonesia yang dirilis pada 16 November 2017.Film ini dibintangi oleh Marsha Timothy.Film ini akan didistribusikan ke 18 negara, termasuk di antaranya Amerika Serikat, Kanada, negara-negara di Eropa dan Asia Tenggara. Marlina, the third film by director Mouly Surya, has been described as a neo-feminist “satay” western and, although it is set in modern day Sumba, the setting and the story it tells very much references the tropes of Western films while lending them a uniquely Indonesian flavor.. She commandeers a passing bus, which happens to be carrying two of the liveliest supporting characters you could wish for. FILM Marlina Si Pembunuh Dalam Empat Babak berhasil menjadi juara umum dalam ajang Festival Film Indonesia (FFI) 2018.Bagaimana tidak, film tersebut berhasil menyabet 10 penghargaan. Film produksi lokal yang kemudian sukses di berbagai gelaran festival film internasional, di antaranya Festival Film Toronto dan Festival Film Selandia Baru. . Film sinema berjudul "Marlina - Si Pembunuh dalam 4 Babak" seperti membantah kesan bahwa suasana seram dan mencekam suatu film dibangun dari suara atau musik yang tiba-tiba kencang mengagetkan jantung para penonton. In the first act, The Robbery, the film opens on the island of Sumba with Marlina grieving her late husband. The spaghetti Western analogy is in any case foregrounded somewhat assertively at the start of the film, as a man on a motorbike pulls up to a lonely farmhouse, somewhere on a deserted plain (the location is the Indonesian island of Sumba). Sang aktris mengakui bahwa untuk memerankan tokoh pembunuh adalah pengalaman terbarunya dan … Now, church bells are not something you automatically associate with an Indonesian setting—nor are characters with names like Markus, Robert, Franz, and Ian. Interiors at Marlina’s farm, sometimes with a shaft of light diagonally intersecting the room, are shot head-on, with characters arranged carefully like dolls: sometimes, we could be gazing into those little toy rooms from. Film mampu mempengaruhi masyarakat melalui isi pesan di dalamnya. To defend herself, she kills several men of the gang. The gang arrive, tuck into the soup, and drop dead—flopping down in the background of a stunning shot, while Marlina, centrally framed in the foreground, gives a quiet smile of satisfaction. In the deserted hills of an Indonesian island, Marlina, a young widow, is attacked, raped and robbed for her cattle. It won the Grand Prix at the 2001 Cabourg Film Festival. But the road is long, especially when she begins to be haunted by the ghost of her victim. Film American Made ada hubungannya dengan Pablo Escobar karena film ini diangkat dari kisah nyata Barry Seal (Tom Cruise), pilot pesawat komersil yang dipindah tugaskan sebagai agen CIA yang menyamar menjadi kurir narkotika bagi Pablo Escobar. Liputan6.com, Jakarta Film Marlina Si Pembunuh dalam Empat Babak, berjaya dalam Piala Citra 2018 yang digelar pada akhir pekan lalu.Film arahan Mouly Surya ini, berhasil menyabet 10 Piala Citra, termasuk penghargaan utama berupa Film Terbaik. Surya also goes for long takes and super-measured pacing: the final act is a case of slow-burn cinema taken to a cool extreme. Surya loves symmetry or near-symmetry: as when Marlina sits impassively through a table tennis match, positioned so that she’s at center screen, almost but not quite in line with the net. Stephen Porzio reviews Marlina, the Murderer in Four Acts, an Indonesian feminist Western by first time female director Mouly Surya. Marlina the Murderer in Four Acts A film by Mouly Surya ... She then defends herself, setting out on a journey to find justice, empowerment, retribution and redemption. She then gives birth. Along the way, Marlina is haunted by a headless apparition playing the jungga. However, Marlina the Murderer in Four Acts distinguishes itself from its predecessors in its third act, as Marlina recounts being robbed, raped, and her retaliatory acts of self-defense to a police officer. The third film from the promising female director Mouly Surya, Marlina the Murderer in Four Acts uses the intriguing concept of a feminist Western and fuses it against the very traditional and heavily Muslim values and ideologies within Indonesia. The rape-revenge drama might lay claim to being the popular feminist genre par excellence, if only examples didn’t so often hover with relish over the violence done to its heroines. Surya and DP Yunus Pasolang, shooting in widescreen, favor vast landscapes in which people and vehicles can be seen crawling along ant-size in the far distance: we get endless flat plains, zigzagging hillside paths, huge stretched canopies of sky. When Markus attempts to rape her, she decapitates him with a machete. Interiors at Marlina’s farm, sometimes with a shaft of light diagonally intersecting the room, are shot head-on, with characters arranged carefully like dolls: sometimes, we could be gazing into those little toy rooms from Hereditary. The website's critical consensus reads, "Subversive, gorgeously shot, and suitably visceral, Marlina the Murderer in Four Acts injects timely feminist themes into a neo-western grindhouse framework. In the fourth act, The Birth, Novi finally finds Umbu. Nothing in the film speaks as eloquently as Marsha Timothy’s face, her Eastwood-like calm and those quietly angry glares to camera, often from absolute center screen, or just a telling notch away…. Along the way, two of the other robbers (including Franz) discover the deaths and chase after Marlina. They hijack the bus, but Marlina escapes with one of the horses. He, believing that a breech baby is a sign of infidelity, hits her and leaves her to be found by Franz, who threatens her into luring Marlina back to the house. Plot. Film film seperti ini yang ketika anak gua nanya tentang film Marlina, gua dengan bangga menjawab kalo film ini adalah salah satu film Indonesia berkualitas di jaman papa. Cue one of the film’s most striking images: Marlina determinedly striding down a country road under blazing sun, carrying Markus’s severed head neatly tied up in a package. Sejumlah kejanggalan dalam film Marlina, Si Pembunuh dalam Empat Babak melahirkan pertanyaan. Overall, Surya is most interested in her female characters: while most of the gang are faceless generic heavies (the only one to really take stage center after Markus’s death is the rakish young Franz, played by Yoga Pratama), Mouly pays far more attention to Novi, Yohana, and Topan, a young girl at a roadside café who happens to have the same name as Marlina’s dead son. June 21, 2018, A popular trick among us film critics is to identify a given film as “really” a Western, wherever in the world it’s set, and particularly if it takes place in the present. Marlina the Murderer is visually striking and then some. It stars Monica Bellucci and Giuseppe Sulfaro . Abstract: The film "Marlina the Killer of Four Actions" is a film that describes the life of a woman who experiences forms of injustice that always befall her. The film is so highly arranged—Topan and Marlina framed by a window that’s like a little box containing them both—that even Wes Anderson fans might find it a little formal at times. The setting of the Indonesian countryside is strangely perfect for the western style and narrative tropes chosen to tell the film’s story. Marlina the Murderer’s death toll is quite substantial and certain images are macabre, yet they feel oddly innocent, or at least without any tinge of the charnel house about them. The film is so highly arranged—Topan and Marlina framed by a window that’s like a little box containing them both—that even Wes Anderson fans might find it a little formal at times. Film ini memunculkan berbagai kontradiksi, seperti ketika Marlina dengan mudahnya menghubungi Novi via telepon gengam, tapi butuh waktu berjam-jam untuk mencapai kantor polisi. Marlina Si Pembunuh Dalam Empat Babak adalah salah satu film yang muncul sebagai ungkapan kritis dari kebanyakan film Indonesia yang hanya menampilkan perempuan sebagai objek. Premature burial: the sad fate of hundreds of fierce, supernatural action films from the Eighties and Nineties is even more shocking than the movies, House of false repute: Korea's premiere international film festival is showing signs of pan-Asian atrophy, “What are you doing making a film about genocide if it’s not really disturbing?”, Rithy Panh's film about the horrors of the Khmer Rouge has equal elements of art brut, therapy, and poetry, A popular trick among us film critics is to identify a given film as “really” a Western, wherever in the world it’s set, and particularly if it takes place in the present. The film’s score, by Zeke Khaseli and Yudhi Arfani, uses some traditional Indonesian elements, but much of it is in that pastiche mode you might call “phony Morricone,” and the music to this opening sequence starts with Mexican-style trumpet and ends with the tolling of a church bell, very redolent of those dead desert towns in Sergio Leone. Jonathan Romney is a contributing editor to Film Comment and writes its Film of the Week column. Directed by Giuseppe Tornatore. ’s death toll is quite substantial and certain images are macabre, yet they feel oddly innocent, or at least without any tinge of the charnel house about them. “Marlina” is a film with very few faults, that manages to present a completely different take on the western, through an artful, meaningful and quite entertaining approach. 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